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William needs to learn to think before he speaks. He accidentally outed his last boyfriend to his bigoted family. Looking to make a new start, he escapes to the most distant place he can think of: New Zealand. There he boards with a substitute mom and her too-hot-to-be-real son, Heath, but Heath and his homophobic friend Rory want William to leave before things “crash and burn,” whatever that means.
Unfortunately, traveling to the end of the world isn’t far enough for William to lose his runaway mouth.
But is it far enough to lose his loneliness?

• Sales Rank: #95786 in eBooks
• Published on: 2014-01-02
• Released on: 2014-01-02
• Format: Kindle eBook

Most helpful customer reviews

7 of 7 people found the following review helpful.
Almost expected
By Bogey
Anyta Sunday is such a good writer, that we have come to expect a lot from her. William is another exceptional story with just enough tease to let you get to know the characters and why the way they are. Just when you think you are smarter than the therapist and have all the answers, you find out you don't. Anyta Sunday is one smart cookie. She knows how to keep you reading. Well done and highly recommended!

3 of 3 people found the following review helpful.
Really Good
By Scott R.
OK, I've discovered that M/M books are exactly like M/F books, except that the MCs are gay. I know that doesn't sound like an amazingly profound (or even intelligent) discovery, but I'm pretty sure a lot of straight guys don't know that (I didn't until I got a Kindle), and that's too bad, because books about PEOPLE in general can be very, very good.

Ms. Sunday knows how to play emotions. She gets into the characters' heads and allows you to feel what they're feeling. There is usually some traumatic or tragic background event (as there is here) and people muddling through the best they can.

I really enjoyed this book. While the plot is good, the characters are great, and that to me is what makes a book memorable. I especially liked Will (who we are primed to dislike in St-St-Stuffed), Heath, Candace and Rory (because he's got his own book next so we know why he acts like a jerk here, and that he'll be redeemed). And as others have mentioned, don't be sure you know who William is.

Incidentally, I've read a few reviews people taking Ms. Sunday to task because her American characters sound British. She's from New Zealand for crying out loud! It's much easier to speak in another dialect of a language than it is to write in it. Eh, since I'm an Anglophile, I figure I'm learning new Brit terminology and that's a good thing.

6 of 8 people found the following review helpful.
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By Invisible Girl
first the meat, and then the emoting. 4150 locations, 2 scenes of sexual intimacy both pretty brief. Contemporary novel/lit/romance, not erotica. Anyta has really shown her ability to make the MCs likable without an empathy "hook" here. Her secondary characters are the real shining lights though in this piece. They are 3D, quirky, memorable without seeming ridiculous. There's an 'economy of words' in this piece--a concept I recognize but on which I clearly have no grasp. I didn't get bored with any scene, and there's little if any needless repetition. She also did a great job with tension in the plotline. Recently I've had a disappointing reading experience with an author I usually love but... Ugggghh angst over kill, and no payoff (IMHO). Then I read a different book, different author--cute story but long and ZERO angst/tension between the MCs at all--thought I'd like that but ehhh... It left me with a saccharine taste in my mouth. And along came Anyta Sunday with her latest Work! I feel like goldilocks finding baby bear's bed, y'know, just... Mmm. Finding and reading this book makes me glad I woke up early on Tuesday May 29th, because I might not otherwise have found it.

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Philosophy Through Film offers a uniquely engaging and effective approach to introductory philosophy by combining an anthology of classical and contemporary philosophical readings with a discussion of philosophical concepts illustrated in popular films.

• Pairs 50 classical and contemporary readings with popular films - from Monty Python and The Matrix to Casablanca and A Clockwork Orange
• Addresses key areas in philosophy, including topics in ethics, philosophy of religion, philosophy of mind, free will and determinism, the problem of perception, and philosophy of time
• Each unit begins with an extensive introduction by the editors and ends with study questions linking readings to films
• Features chapter by chapter discussion of clips from films that vividly illustrate the critical philosophical arguments and positions raised in the readings

• Sales Rank: #864773 in Books
• Published on: 2009-04-20
• Original language: English
• Number of items: 1
• Dimensions: 9.70" h x 1.15" w x 6.80" l, 2.44 pounds
• Binding: Paperback
• 640 pages

Review
"Introducing Philosophy Through Film is a truly wonderful introduction to the core problems of philosophy. Its combination of great films, classic articles from both historical and contemporary philosophers, wonderfully clear introductions to each section, and provocative questions for discussion make for an introduction that is as compelling as it is rigorous."
-Richard Foley, New York University

"Fumerton and Jeske have compiled an excellent anthology, filled with dozens of classic texts on the central problems of philosophy most often addressed in introductory philosophy courses. And the films they suggest will help introduce students to philosophy in the most enjoyable way possible."
-Michael Huemer, University of Colorado

From the Back Cover
From Monty Python and The Matrix to Casablanca and A Clockwork Orange, popular films offer surprisingly perceptive insights into complex philosophical concepts. Introducing Philosophy Through Film combines this novel pedagogical approach with all the virtues of a serious introductory anthology of classical and contemporary philosophical readings. The result is an engaging and effective way to fire the imagination of those new to philosophy. Drawing on a wide range of popular and easily accessible films – along with the ideas of a diverse selection of historical and contemporary thinkers – this book introduces many of the central areas of philosophical concern, including perception, philosophy of mind, ethics, religion, free will, determinism, and more. Chapter by chapter, the editors offer a discussion of relevant film clips to help illuminate and demystify the philosophical arguments and positions raised in the anthology's readings.

By merging the cinematic and philosophical worlds, Introducing Philosophy Through Film provides a uniquely effective way for beginning students to engage with philosophy and gain insights into the human mind.

About the Author
Richard Fumerton is the F. Wendell Miller Professor of Philosophy at the University of Iowa. He is the author of Metaphysical and Epistemological Problems of Perception (1985), Reason and Morality: A Defense of the Egocentric Perspective (1990), Metaepistemology and Skepticism (1995), Realism and the Correspondence Theory of Truth (2002), Epistemology (Blackwell, 2005), and Mill (with Wendy Donner, Wiley-Blackwell, 2009). His present teaching and research interests include epistemology, metaphysics, and value theory.

Diane Jeske is Associate Professor of Philosophy at the University of Iowa. Her teaching and research interests include ethics, political philosophy, and philosophy of law. She is the author of Rationality and Moral Theory: How Intimacy Generates Reasons (2008).

Most helpful customer reviews

0 of 0 people found the following review helpful.
best way to study philosophy
By Schem78
Philosophy can be a difficult subject, but when utilizing films as a visual aid it becomes a little easier. Editors of this text use ancient philosopher's writings in conjunction with films such as "Back to the Future". This text utilizes examples from films to help the reader understand the concepts.

0 of 0 people found the following review helpful.
Book for college
By Megan Peterson
Matched the description, just needed it for class... nothing bad about the book. Talks about movies related to philosophy, like the matrix

0 of 0 people found the following review helpful.
Was as described, so slightly used and it was ...
By kyle
Was as described, so slightly used and it was highlighted in all the important parts which helped for a skim read before class. Saved me a lot of money as well!

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• Sales Rank: #3475456 in Books
• Published on: 2009-04-15
• Original language: English
• Number of items: 1
• Dimensions: 9.50" h x 7.50" w x 1.25" l, 2.39 pounds
• Binding: Paperback
• 549 pages

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• Published on: 2015-07-01
• Original language: English
• Number of items: 1
• Dimensions: 11.02" h x .51" w x 8.50" l, 1.26 pounds
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This volume includes not only an overview of the medical aspects of sports training but also addresses the practical aspects of the training of all types of equine athletes. Topics covered include conformation, gait and biomechanics, cardiovascular and muscular anatomy, evaluation of performance potential, diagnostic modalities and training regimes.

• Sales Rank: #1822449 in Books
• Published on: 1994-01-15
• Original language: English
• Number of items: 1
• Dimensions: 1.17" h x 7.46" w x 10.62" l,
• Binding: Hardcover
• 497 pages

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The Athletic Horse
By Linsey Wood
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This wide-ranging book explores the origins, development, and character of Afro-Caribbean cultures from the slave period to the present day. Richard D. E. Burton focuses on ways in which African traditions--including those in religion, music, food, dress, and family structure--were transformed by interaction with European and indigenous forces to create the particular cultures of Jamaica, Trinidad, and Haiti. He demonstrates how the resulting Afro-Creole cultures have both challenged and reinforced the social, political, and economic status quo in these countries. Jamaican slaves opposed slavery in many ways and one of the most important, Burton suggests, was the development of Afro-Christianity. He pays particular attention to the African-derived Christmas celebration of Jonkonnu as an expression of opposition and then documents religion in the post-slavery period, with an emphasis on Rastafarianism in Jamaica and Vodou in Haiti. The element of play has always figured importantly in Afro-Caribbean life. Burton examines the evolution of carnival and calypso in Trinidad and describes the significance of cricket in defining Caribbean national identity. Based on ten years of research, Afro-Creole draws on historical, anthropological, sociological, and literary sources. Burton characterizes the emergence of Caribbean identity with three different national flavors and demonstrates how culture both reflects and impacts people's changing sense of their own political power.

• Sales Rank: #11221003 in Books
• Published on: 1997-06
• Original language: English
• Dimensions: 9.75" h x 6.50" w x 1.00" l,
• Binding: Hardcover
• 297 pages

Review
"Burton's work is perhaps the best researched, most thoughtful, intellectually provocative study of the complex relationship between history, religion, poetics, culture, and social change especially, but not exclusively, in the English-speaking Caribbean. It is powerfully written, humorous, and meticulously examines the psychology and paradoxically religious anthropology of Jamaican and Trinidadian politics. . . . The essence of the argument is that popular protests, regardless of the practical forms like cricket, dance, or carnival in Trinidad and revivalist religions like Myal and Rastafari in Jamaica, simultaneously challenge and reinforce the status quo and are accepted substitutes for overt power confrontations. . . . Burton's conclusion suggests that the order and conservatism of most Caribbean societies may be explained by the important role of cultural activities as a historical medium for diffusing and controlling the masses."―Choice

"I recommend this book for its attention to historical detail and its breadth on the subject of the Caribbean."―John W. Nunley, American Anthropologist

"A bold and cogent study."―Sada Niang, University of Victoria, African Studies Review

"A fine and comprehensive history. . . It is perhaps the most useful survey yet on the formation of distinctively Afro-Creole forms of public expression in the Anglophonic West Indies."―New West Indian Guide

"This is a stimulating, wide-ranging and theoretically well-informed anthropological and historical exploration of Afro-Caribbean popular culture."―British Bulletim of Publications, No. 102. April 2000.

"Afro-Creole admirably captures the essence of what it means to be Caribbean. By daring to 'run against orthodox thinking' on the matter of the culture of resistance, the author has provided a provocative and thoroughly enjoyable reexamination of the entire question of African survival in the Caribbean. He will not end debate on the matter, but he has certainly greatly enriched it."―Keith Q. Warner, Research in African Literatures, Vol, 32, No. 4 (2001)

"Burton's book is bold and almost unique in its pan-Caribbean scope. He has an admirable skill at relating eclectic and seemingly disparate materials and topics, and he writes clearly on complex matters. This book has much to offer specialists as well as those who have a general interest in sociological subjects and the Caribbean."―Michael Craton, author of Testing the Chains: Resistance to Slavery in the British West Indies

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0 of 0 people found the following review helpful.
An essential book in Caribbean history
By R. R. Wilk
This is a really key book if you want to understand the culture and history of the Caribbean. Burton successfully takes us beyond the question of African Survivals and European impositions, and gives us a key for thinking in new ways about the Caribbean as a place in itself. Burton writes clearly and there is little jargon to get in the way of his innovative thoughts on how culture really worked under slavery and then emancipation. Anyone working in the Caribbean or the Atlantic margins of Central America needs to read this book. And if you are thinking about ex-colonial countries anywhere in the world (the USA for example), you will find a lot of innovative and helpful ideas here.

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[T815.Ebook] Free PDF The Magus: A Complete System of Occult Philosophy, by Francis Barrett

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The Magus, or Celestial Intelligencer; being a Complete System of Occult Philosophy is a handbook of the occult and ceremonial magic compiled by Francis Barrett and published in 1801. This book facilitated the modern revival of magic by making information from otherwise rare books readily available. It may have influenced novelist Edward Bulwer-Lytton and occultist Eliphas Levi. More controversially, it has been identified as an influence on Joseph Smith, Jr., founder of the Latter Day Saint movement, in Reed C. Durham, Jr.'s speech "Is There No Help for the Widow's Son? " Reproduction of 1801 Edition.

• Sales Rank: #814245 in Books
• Brand: Brand: Red Wheel/Weiser
• Published on: 2000-03-01
• Format: Illustrated
• Original language: English
• Number of items: 1
• Dimensions: 11.00" h x 8.50" w x 1.50" l, 2.45 pounds
• Binding: Paperback
• 432 pages

Features

• Used Book in Good Condition

Most helpful customer reviews

0 of 0 people found the following review helpful.
Very well written and lots of things given to look ...
By Rebekah Gaston
Very well written and lots of things given to look up to further delve deeper into the meaning of signs and symbols in the book.

21 of 22 people found the following review helpful.
One of the Most Important Texts of Traditional Western Magic/the Grimoire Tradition!
By L. Pedersen
First of all, please forgive me for this review being somewhat lengthy, but a work such as the present title deserves nothing less and so I hope you will indulge me.

For those who are truly passionate about traditional western magic (i.e., the grimoire tradition), Francis Barrett’s classic “The Magus” is absolutely indispensable! Ever since its publication by Lackington, Allen in London, in 1801, this work has had a massive impact on the occult community and it is one of the most influential pieces of literature within its field. It inspired, among others, the famous French occultist and author, Eliphas Levi (Alphonse Louis Constant, 1810-1875), as well as the founders of one of the most famous of all esoteric societies known today, the Hermetic Order of the Golden Dawn.

Barrett’s purpose in compiling “The Magus” was to present a “complete” handbook of occultism (with a strong emphasis on magic) that would make readily available a collection of the most important teachings of occult/magical theory & philosophy along with the mechanics – as well as examples – of practical application. And in my humble yet honest opinion, he most certainly succeeded in doing exactly that!

Regrettably, however, “The Magus” has undergone a lot of unfavorable publicity over the past several years; this typically at the hands of unqualified individuals, falling under such a title due to the fact of obviously never actually having read the book they are so eager to cast aside. The occult community of today is filled with remarks like ‘A wonderful work of plagiarism’, ‘A bastardization of Agrippas “Three Books of Occult Philosophy”’, and so forth, along with comments on how Barrett stole the information mostly from Heinrich Cornelius Agrippa’s “De Occulta Philosophia Libri Tres” without accrediting him.

All of this is – with all due respect, yet the truth must stand fast and for all to see – nothing but the same unqualified statements that are merely being rehashed by individuals who, like the original commentators, have apparently never bothered to READ the book! Please allow me to spend a few moments of this in defense of a historical work that deserves our respect, as a work important to the study & practice of traditional western magic as well as the cultural treasure that the text is.

The term “plagiarize”, according to the Merriam-Webster dictionary, reads as follows:

‘To steal and pass off (the ideas or words of another) as one's own: use (another's production) without crediting the source’.

Now please allow me to quote a passage from “The Magus” itself:

‘we have, at a vast labour and expence, both of time and charges, collected whatsoever can be deemed curious and rare, in regard to the subject of our speculations in Natural Magic – the Cabala – Celestial and Ceremonial Magic – Alchymy – and Magnetism…’

This if from page v of the preface of Barrett’s work – the very PREFACE!!! Barrett is mentioning already here that the book is a collection of teachings and nowhere is he downright claiming that this is a work entirely of his own. However, I can see how some people may feel that I am just projecting and seeing what I want to see in this passage so please allow me to support it with more “evidence”:

‘To which we have annexed a great variety of notes…’

Further remarks indicating that this work was not one of his own writing (above quote also from the preface, page v). We shall continue, however:

‘…all of which we have collected out of the works of the most famous magicians, such as Zoroaster, Hermes, Apollonius, Simon of the Temple, Trithemius, Agrippa, Porta (the Neapolitan), Dee, Paracelsus, Roger Bacon, and a great many others; to which we have subjoined our own notes…’

This quote (on page vii of the preface) follows immediately after Barrett has gone through an overview of what the book contains. And if you recall the definition of plagiarism, this passage here clearly abolishes all such claims regarding “The Magus” as Barrett is clearly listing the writings of Agrippa as being part of the contents of his book – thus NOT presenting any of this as his own, or using material from Agrippa’s books without accrediting him. He even ads – again – that these writings of other occultists are then merely accompanied by his own notes.

As one last quote, if you would indulge me; something that does not even require any additional commentary from me as everything is as obvious as human reason can ask for (at the very end of page 50 of Book I, Part I):

‘The Author having, under the title of Natural Magic, collected and arranged every thing that was curious, scarce, and valuable, as well his own experiments, as those in which he has been indefatigable in gathering from the science and practice of Magical Authors, and those the most ancient and abstruse, as may be seen in the list at the end of the Book, where he has put down the names of the authors, from which he has translated many things that were never yet published in the English language, particularly Hermes, Tritemius, Paracelsus, Bacon, Dee, Porta, Agrippa, &c. &c. &c.; from whom he has not been ashamed to borrow what he thought and knew would be valuable and gratifying to the sons of Wisdom, in addition to many other rare and uncommon experiments relative to this art.’

This defense of Francis Barrett’s “The Magus” is important, I believe, for a proper review to be done due to the general misconceptions and general spreading of false information that may otherwise feed further possibilities of misunderstandings about a book as important as this. As I have said, I personally find “The Magus” to be indispensable to the grimoire tradition as we have, in this work, a collection of the best of the best: Agrippa’s occult and magical theory & philosophy – the “how does it work?/why does it work?” behind the purely practical instructions of the grimoires; the operational mechanics of magic as found in pseudo-Agrippa’s “Fourth Book of Occult Philosophy”; and the two grimoires, “The Heptameron” and Johann Trithemius’ “The Art of Drawing Spirits Into Crystals”, to complete the package with practical examples.

Much of the core-material on magic found in Agrippas 1533 classic, “De Occulta Philosophia Libri Tres” – a treatise that was not readily available in the late 1700s/early 1800s – was made more easily accessible by being printed almost verbatim by Barrett. And the famous – and, to some extent, infamous – so-called fourth book, or “Of Occult Philosophy, or of Magical Ceremonies – The Fourth Book”, by pseudo-Agrippa, which was basically a more practice-focused distillation of what Agrippa covered in his three books, had now also become easily obtainable to the occultists of the time. Barrett’s goal of making difficult to find, and costly, teachings of occultism – especially magic – readily available, and all collected into one volume, edited to read as one single text rather than bits and pieces of this & that chopped up and glued together, was fully accomplished and he should be commended for it rather than shunned. He did nothing wrong and everything right, and the occult community of today owes him more than they will ever realize.

I still recommend “The Magus” as the first and most important text to any and all who wish to venture into the study & practice of traditional western magic as it basically has everything one needs to understand it (with sufficient study of the treatise, naturally) as well as practice it; as mentioned earlier, it even includes a couple of grimoires to give clear examples of things that have been covered earlier in the text. While Agrippa’s three books are still of immense importance due to these containing even more than what Barrett included therefrom in “The Magus”, the former ought to be studied later and Barrett’s work first simply due to the latter having the best of both worlds: the theory & philosophy as well as the practice thereof.

One last thing I wish to say… the very best edition available of this work at the present time is, without a doubt, that of Red Wheel/Weiser (my own copy of which I purchased nearly a decade and a half ago, back when the publishing house was just called "Samuel Weiser, Inc."), due to this being a facsimile of the original rather than a re-typing of the book. While the Weiser edition is but a mere paperback (and ought to be a beautiful, properly bound hardcover), I still find it preferable to have a facsimile that retains the early 19th century charm – with old style “s” printing and all – rather than something that has been entirely reset in modern type.

As for the contents, I believe this is better left to the individual simply looking in the inside of the book here on Amazon.com and reading through the viewable Table of Contents, rather than my rehashing it here.

8 of 8 people found the following review helpful.
Essential for the Occultist in You!
By K. M. Peters
I can confidently place Francis Barrett's The Magus along with the greatest of all magical/occult books in mainstream press: Dictionary of Angels by Gustav Davidson, Three Books of Occult Philosophy by Agrippa, Black Magic by AE Waite, and Aleister Crowley's 777. For those that are hardcore occultists or even those who are merely curious, this book has alot to offer everyone.

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